All or Nothing

I never was a great fan of the Small Faces – I think I thought they were too…. small.  But also that they tried too hard to be mod or something. But 50 years on I can see things through a Vaseline smeared lens, and I know all the words to the songs so when old school pals suggest a trip to see All or Nothing, the new Small Faces musical, I say yes quickly and find I’m looking forward to it.

We meet for dinner before the show – apart from a recent sighting across a crowded room a few months ago I haven’t seen Gayle and Amanda for almost 50 years.  Chris I haven’t seen for as long. We have had Facebook discussions as to what we should wear and we all agree we will wear something mod. They all look fantastic and I am the party-pooper who has failed to even wear a suede coat or chisel-toed slingbacks (I blame travel and accommodation problems). It is discouraging for the others, and indeed for me, because we are expecting a moment during the show when the cry will go up ‘Is there a girl group in the house that could come and sing a few numbers with us?’ We know that even though our seats are in the balcony this will not stop us and we shall become the Goldie and the Gingerbreads of Chelmsford and possibly be offered a contract before the night is out.  I only hope that my jeans won’t hold us back.

The show is just starting its regional run, in the Chelmsford Civic Centre.  As we go in we remember various shows we have seen here – mostly with The School. I am also wondering if this is where I performed with the Chelmsford Amateur Operatic and Dramatic Society’s production of The Crucible. For some reason it is all a dim memory. Amanda and I eschew the notion of a bag of Maltesers and have ice cream.

In the first half charting the early days of the group there is a lot of R&B (as it then was). Each time they pick up their guitars and tune a string or two there is that exciting feeling that comes with being at a dance with live music – Chelmsford YMCA, the Corn Exchange, a Youth Club on one of the estates. The Steve Marriott character sings well. Every now and again he hits a note with exactly the same sound as Steve Marriott and it’s like being back there, in the Sixties, in the Orpheus, Snows, listening to the juke box. I remember the snatched minutes,in my bedroom, listening to blues on the Mike Raven show on the pirate radio station Radio 390, hearing Muddy Waters, BB King, Howlin’ Wolf, thrilled by the music and entranced by the names, Peetie Wheatstraw, Sleepy John Estes.  Now to hear Boom Boom played very loud on stage is exciting.

In the interval we have a drink, idly glance at the memorabilia on sale and watch the unusual spectacle of hundreds of men queuing for the loos. They’re all here, most of them of a certain age. The discussion centres on our memories.  Is what it is happening on stage what it was really like?  The jury is out.  We all agree that the scooter in the foyer, adorned with a trillion lamps, is not anything any of us remembers.  The scooter boys we knew never had an extra lamp. We take photos.

          

The second half covers the move through the Sixties, via Mary Quant and op-art. We all agree we love the black and white dresses, coincidentally made by Love Her Madly, someone I follow on Twitter.  Straight and simple, we are all taken back to the happy days.

And then on through to hippies.  Hippie-dom was not my personal favourite era (not enough ironing) but others among us really like it.  At the end, our moment comes, there are repeats of the songs and people in the audience are pulled up on the stage and there is dancing.  We look at each other.  This is our moment.  Maybe.  I’m still drinking my interval wine, we’ve all got bags, and then there’s our coats. No, not today.  We probably need to rehearse a bit  too.

Gradually the show comes to a halt and happy punters leave the building. It has been a great evening.

 

Pink Floyd

Pink Floyd Exhibition - their mortal remains poster

I cannot put my hand on my heart and say I was ever a Pink Floyd fan, although it’s fair to say, I do have an album of theirs, and I’m not sure how I got it.

But I was invited to attend a press briefing about the forthcoming exhibition at the V&A  Pink Floyd Exhibition – their mortal remains.  I’d been to the V&A exhibition You Say You Want A Revolution (last few days, catch it now) – which covered the years 1966-70, and I enjoyed it, although as those who read this blog regularly will know, for me the Real sixties was 1963-66 (at least that’s what my diaries tell me).

The presentation room/cinema in the Mayfair hotel was packed.  As I looked up at the rows of seats I counted at least 10 cameras on tripods waiting to film the event.  The big event was obviously going to be the moment that Roger Waters (Bass guitarist) and Nick Mason (drummer) came on. I was mainly interested in their early years, what made them do the things they did.

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The curator of the exhibition Victoria Broakes explained the chronology of the exhibition, David Sennheiser the grandson of the inventor of the ‘legendary Sennheiser MD 409’ microphone they used and whose sound systems they continue to use, and two old pals and colleagues from Cambridge, where they’d gone to local schools, and who came with them up to London where they were art and architecture students.  They talked about how the band had started, the Bedford van they had used to move their equipment around, the risks they took, the wild ideas they had and how they encouraged others to have wild and inventive ideas for sets, and stunts.  How their star rose and rose.  And then punk came along.  I wasn’t a particular fan of punk, but they did occasionally tell a good joke.

Johnny Rotten I hate Pink Floyd tee shirt

Then the guests of honour walked onto the stage.

Pink Floyd Waters and Mason

They talked about their past.  Roger Waters said he had wanted to be political in his music, he had wanted to put a message out to the world.  They told some good stories, Storm Ferguson, the man who ‘wouldn’t take yes for an answer.’  They spoke about the heady days of psychedelia.  When the MC Matt Everit asked which of the two had the better memory Roger Waters said, ‘How would we know?’

Pink Floyd Obvserver collageRoger Waters described the difficulties for young musicians these days, and the negative effect the internet has had, how singles are given away, and it’s hard for artists to make money. ‘The record industry didn’t make the deals.’

Roger Waters and Nick Mason - Q&A

My heart warned towards them in the Q&A session, when a Mexican journalist asked, given that they had made an album The Wall, if Trump’s wall is ever built, would they go to Mexico and sing on the Wall.  Roger Waters wasn’t sure.  He talked about walls, and said when the Palestinian-Israeli question is resolved and the wall in Palestine is taken down, then maybe there would be a concert as an ‘act of celebration.’ Something to work towards.

As the session ended and Roger Waters and Nick Mason left the stage, a series of photos of the band, rehearsing in the 60s, were flashed up onto the screen.  As people left the auditorium, quickly dismantling cameras, rushing to the next shot, Roger Waters turned and watched the images.  The past is another country.

Roger Waters          Pink Floyd early days

 

I got the music in me

It’s been an eventful few days, music wise.  A young friend, currently being cool in Berlin, has sent some tracks of music he’s listening to, and another friend, more mature, has sent me a CD of early 60s tracks.

So first to talk about the sounds from Berlin.  If I say it is music I have never heard before no-one will be surprised, but there are tracks here that I think owe a lot to the 60s. And it’s not all new music.

Possibly my favourite was Sampha (No-one knows me) Like the Piano.  He’s from London, born in 1988. This track has just been released.  I like his voice and the sound of the piano, as if he’s playing in a cold church hall.

Oby Onyioha who hails from Nigeria singing ‘Enjoy Your Life,’ a 1981 track, is a great example of funk.

And of course Serious Style by Omar.  He was born in London in 1968 and this track was from the album ‘There’s Nothing Like This’. I liked the music and I loved the sentiment.

There were also tracks from XX, Childish Gambino, I Level, and Crucial O’Niel – all worth a listen.  A real treat.

And then we come to the early 60s tracks.  I knew all the words! Helen Shapiro, Adam Faith, the Allisons (Are You Sure?).  Move It by Cliff Richard is I think one of the best rock and roll records ever – and I don’t even like Cliff Richard (the first few seconds of this clip will explain why, that and the extraordinary hairstyle that Cliff is sporting).

Cliff goes on to sing ‘Please Don’t Tease’ and then Johnny Kidd and the Pirates follow up with ‘Please Don’t Touch.

Marty Wilde singing ‘Bad Boy’ is good – and there are some great images on this video.

There’s Craig Douglas, Lonnie Donegan, Adam Faith.  Remember folks this was before Ready Steady Go, before the Pirate Radio Stations, before Radio 1.  We had The Six Five Special on BBC, while Cool for Cats and Oh Boy were on ITV – which in our case, we did not have.  I had to go over the road to Christine’s house to see Cliff and Marty and the Vernon Girls.

Thank heavens for Motown.

 

 

 

 

 

 

Beyond the Beehive – reading allowed

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Some of you may remember September 2016 – gloriously hot days, a bit of rain, the start of Strictly Come Dancing.  But you may also remember 2 September when I appeared at an event in Waterstone’s Covent Garden and read the first chapter of Beyond the Beehive.  It was an event organised by Novel London

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You may also remember that the event was videod and I know many people were anxiously waiting for the video to come out so that they could share in the joy of the occasion.  Unfortunately, and I am convinced it was not my fault, something happened so that there could be no video.  However, you can listen to me reading Chapter 1 here (this link takes you to my website, scroll down and it’s there after the blurb about the book).  Sit down with a cup of tea and a Bourbon biscuit and remember the 60s, the clothes, the perfume, the mods, the music.

The London Book Launch for Beyond the Beehive is on Friday 28 October – contact me for more details.

Before that listen to an interview on Woman’s Hour on Thursday 27 October at 10am.

Be there or be square!

The Beat Goes On

img_5520-2      It’s been a very busy week for Team Beehive.

It started with an interview with Jo Good on BBC Radio London.  It almost didn’t happen – the BBC building in Portland Place, just off Oxford Street in London, is a huge and sprawling place.  And sometimes people giving you directions forget which is left and right (don’t we all?).  I went into the main building and asked directions and following those directions, I turned left. They were setting up baricades for a TV One Show event.  One hopeful fan was hanging over the railing, but otherwise the place was full of people in puffa jackets with clipboards and people in hoodies rolling heavy black and silver equipment around.  I turned left again but that was the wrong building.  I hadn’t crossed enough roads.  Roads! Eventually someone gave me the right directions – he pointed – and in I went through the glass doors and up in the lift to the studio.

Jo Good was wonderfully friendly and began the interview by playing House of the Rising Sun by the Animals.  When you hear it played on good loud equipment you really understand why it has stood the test of time.  It’s over 50 years old for goodness’ sake. We talked about Beyond the Beehive, about life in the Sixties, saving up for weeks and weeks for a coat or a bag that you wanted, the importance of colour and style.  She asked me whether I thought the battles on the beaches at Bank Holiday time really had taken place.  Of course – I wasn’t there, my mum would never have let me go, even if I’d asked her.  But I think they did.  Maybe not as full on and terrifying as it seems in the film Quadrophenia but something went on.  And not just Brighton of course, Margate, Clacton, Great Yarmouth… I cut this letter out of the paper at about that time when there was talk of raising the age at which you could ride a scooter or a motorbike.

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You can listen to the interview here.** It starts an hour and 10 minutes in, and runs for about twenty minutes.  The interview finished with Pinball Wizard by the Who.  Jo Good said listening to it always made her feel very happy.  And I can see what she means.

**For those who listen to the interview and the piece that Jo Good read out and think – Panorama, on a Saturday? I don’t think so! Rest assured, I know Panorama was never on a Saturday. The piece she read was about a week night.  In fact, later in the programme – keep listening for a wonderful story about someone who had a scooter, and a helmet and a beehive, and the solution she found for keeping her hair-do in tact – someone picked up on that piece and Jo Good realised it was in fact, a school night.

Then it was up to Stroud Green Library for a meeting about a 60s Saturday which is happening on 12 November. There’ll be 60s music, memorabilia, Beyond the Beehive and you can take a selfie wearing a beehive wig!

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And then on to Chelmsford for an interview with Tony Fisher on BBC Radio Essex. No trouble locating my destination. I know where the BBC Radio Essex building is – it’s on New London Road, a ten minute walk from the Orpheus!  Listen to the interview here. It starts 2 hours and 10 minutes in and lasts about 20 minutes.

The interview began with Be My Baby by the Ronettes.  We talked about life in Chelmsford in the 60s and also about Bob Dylan’s Nobel Prize for Literature – because in 1966 I saw Bob Dylan at the Albert Hall.  I’ve written about it here  It was the time when Dylan was changing from acoustic to electric and people in the audience called out ‘Get back to the good stuff.’  Dylan who was playing the organ at the time, rocked back and forth and said, ‘Good stuff, bad stuff, it’s all the same.’ So I told this story on the radio.  A friend who was listening said it was so realistic she thought she was listening to a news item.  See what you think.

Tony Fisher was really into Beyond the Beehive which was great.  Sometimes when you write a book you’re so immersed in it you don’t see the characters as they appear to the rest of the world.  He immediately understood bad boy Danny and he played Shotgun Wedding by Roy C, a record that used to float through the Orpheus if people announced they were getting married.  It was a really good afternoon, and not just because of the cake (it was Tony Fisher’s birthday).

Launch Party

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It was a great evening at the Ideas Hub – good book, great quiz (more details to follow) and a fantastic crowd.  My Auntie Rita (88) made it unexpectedly.  My sister-in-law struggled through the Saturday, post-football traffic, friends from Norfolk I hadn’t seen for 50 years suddenly appeared.  New friends came via the Chelmsford Remembered Facebook page and the Chelmsford Civic Society.  Old friends from those heady days in the Orpheus and the Corn Exchange.  And the piece de resistance was the group – Mark Shelley and the Deans, who did us proud. Christine and I even jived.  Video of this possibly to follow…

img_5982-3          Mark Shelley & the Deans 1.10.16

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Beyond the Beehive is out!

Beyond the Beehive front cover

This is almost unbelievable!  Beyond the Beehive is on sale now.  You can buy the paperback here and the Kindle version here. Thank you for the support of the readers and followers of this blog, and to Christine Wilkinson who designed the wonderful cover – back and front!

beyond-the-beehive-back-cover-1   Beyond the Beehive front cover

And also thanks to my oldest best friend Chris Wallace – without whom none of these stories would have been possible.  As I keep telling her, they are just stories, but if she and I hadn’t met in Chelmsford on the Woodhall Estate, all those years ago, we’d never have gone to the Orpheus together, we’d never have gone dancing at the Corn Exchange, or to Dace’s to buy records or Clarke’s to buy Valentine cards, and the book would never have been written.

Liz and Christine + mod boy + miniLots of things are happening over the next few weeks.  The first thing is the Chelmsford Launch. It’s next Saturday, 1 October, 6.30 pm and Mark Shelley and the Deans will be playing!

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I first saw Mark Shelley and the Deans in about 1963 playing at the YMCA.  I remember listening to the rhythm of the guitars and the crash of the drums, as they played all the rock classics – Chuck Berry’s Sweet Little Sixteen and Nadine, the Isley Brothers’ Twist and Shout, and the Buddy Holly hits – That’ll Be the Day, Peggy Sue, and True Love Ways.  I know the group have been brushing up on all the old favourites for next Saturday (I’ve even written to Brian Matthew on Sounds of the Sixties, Saturday mornings on Radio 2, asking for a request to be played next Saturday for my sister – who gave me the idea for one of the characters in the book – and all the old Chelmsford mods – but I’m not holding my breath!) and it will be like stepping back in time!  You will think you really are back in the Corn Exchange.

If you would like to come to the launch it would be great to see you.  Contact me here. 

Be at the Beehive

img_5520-2   Two dates for your diary

1 October – Chelmsford launch party

Mark Shelley and the Deans – Chelmsford’s greatest product (after Marconi’s radio) – will be playing at the Chelmsford launch of Beyond the Beehive.

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Saturday 1 October 6.30 – 9pm The Ideas Hub

It’s going to be a great night! Numbers will be limited so please contact me here  if you would like to attend.

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25 October – What it was like being a teenager in the Sixties

If you can’t attend on 1 October, or if you just can’t get enough of the Sixties, I shall be speaking at the Ideas Hub in the afternoon of 25 October as part of the Chelmsford Ideas Festival – What it was like being a teenager in the Sixties.  

25 October 2016 2.30 – 4.30 Ideas Hub  For more information check here

It could get wild!

mark-shelley-the-deans-3But it probably won’t.

Look forward to seeing you there!

Beyond the Beehive

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The proof copies of the book have arrived.  There is something very wonderful about seeing all those words and pages and chapters that have been in your head and on your computer for years all at once appear in a brown cardboard box as real, tangible books.  You open one of the books and see your characters smile up at you as they dance and move to the tune of your stories.

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The book is out on 26 September.

Video of a great night on 2 September out soon.

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